Schoolteacher Asterios D. Gousios did the whole thing in his powers to preserve training standards for hisstudents excessive at some stage in what had been turbulent instances within the Macedonia area in the early 1900s.
He taught, he wrote books, which were revealed in Leipzig (1894) and Athens (1901), and he opened the primary bookshop in Serres, northern Greece. the store soon have become a hub for teachers, monksand national activists within the Macedonian war. Gousios also released his very own printing employer(1908), one of the first to appear in jap Macedonia. The artistic excellence of the Serres-primarily basedenterprise’s output was marketed in the very first problem of Makedonia newspaper on August 10, 1911.
In 1916, the bookshop and the printing house had been each destroyed by way of the Bulgarian Comitadjis, the irregulars who sallied from hiding places in the mountains to terrorize villages within thearea. The instructor and his son, Christos, had been both stuck during the raid.
Following their release, the business changed into delivered lower back into operation (1918). 5 years later, the own family opened a 2nd in the coronary heart of the town’s business center.
a few of the memories that unfolded in Thessaloniki at the time surpassed into print at the Gousiosbusiness enterprise. but in the event that they have survived to these days, that is way to Asterios Gousios, an inheritor and collector. spread across a place of four hundred square meters within themodern-day press house within the Oreokastro region of Thessaloniki, this casual museum showcasesitems that he has accrued over the past few years. traffic will discover data on the own family printingculture as well as the ancient evolution of typography from the past due nineteenth century to the prevailing.
The middle of the gathering is made up of collectibles salvaged from the family enterprise, together witha 1909 electric flatbed printing press made in Austria-Hungary.
“that is what the Thessaloniki press started with in 1923, and it may be the simplest one to survive inside the city nowadays,” stated Gousios, the collector, who observed in his father’s footsteps after studyingtypography in Leipzig.
The permanent exhibition is a revelation. those big, carefully polished machines are actually on standby forpeople who still want to print within the old way. A Boston manual printing press made at the start of thenineteenth century, a 1880 Krause paper cutter, a linotype gadget from the Sixties, lithographic plates, English-made paging machines, a press and equipment for bookbinding (1920-50) are all exhibited within thesame room next to a show on cutting-edge offset and digital printing.
“This system stored our family,” the collector stated, pointing to a pre-conflict press which was used tonumber fabric labels for tobacco products for export. “throughout the [German] career tobacco investorslabored nonstop. nearly all of them were our customers,” Gousios stated. “After the second internationalwarfare become declared, my father, involved about a scarcity in raw substances, purchased 2,000 gold sovereigns’ really worth of fabric. He stored it in a tobacco shop on Frangon avenue, however days later itwas long gone. It have been stolen,” he said.
The records of Greek typography is likewise a history of commercial enterprise ventures: Showcased are matrices with emblems, greeting playing cards, invites, cloth labels for tobacco products, haircut vouchers, poll papers, celebration manifestos, price lists, envelopes and letters, paper serving trays forcakes – the flavor of a multicultural Thessaloniki while first rate photograph artists, which includesIoannis Svoronos, expanded the artwork to an entire new degree.
also on display are about 800 containers with rare steel typefaces produced via Deberny in a Frenchmanufacturing unit that would later go bankrupt. The manufacturing facility became later bought byFrench novelist and creator Honore de Balzac so he ought to print his books.